By CLARISSA LIM KYE LEE Segaris Art Center just turned 10. Not an easy feat for a gallery. The persistence and continual growth is testament …

Oleh ADRIANA NORDIN MANAN Sejurus mendapat tahu bahawa kunjungan ke galeri diizinkan setelah beberapa lama, saya terus ke The Back Room di Bangunan Zhongshan untuk …

Oleh FAZRINA JASMIN “Daku cuma mahu melukis kembali inspirasi dahulu supaya ia terus hidup untuk merangsang kecemerlangan masa kini dan masa depan kita. Di mana …

Oleh MIMI SALLEH Hampir dua tahun pandemik COVID-19 melanda dunia, masyarakat sudah semakin selesa menjalani kehidupan norma baharu. Pameran seni visual secara maya juga lebih …

By WAI LU YIN A dystopia is an imagined society in which there is great suffering caused by current trends, societal norms and the implementation …

By NATASHA P. Daring enough to exit the confines of propriety, artist Dhani Illiani Yusof, in her Jakarta art show Arus Binti: Kobis Merah takes …

By FARAH DIANPUTRI There’s something inherently rebellious about woodblock prints. It’s meeting the resistance of carving out an image into existence from unrelenting material. Scratching …

By ELLEN LEE In Gentle Reminders, Izat Arif appropriates the style of typical road signs to present pithy advice for younger artists of the obstructions …

By NATASHA P. Artist Lith Ng Yee Leng encapsulates the gritty, ‘dirty’ aspects of owning a vagina – the bleeding, the pain, the excretion of …

Hummingbirds, rusty saws, bottlecaps, floating chess boards, and the beauty in reclaimed things at the Zhongshan Building.