Dead Water is a raw glimpse into the psyche of an artist
By CHIN JIAN WEI Emotion permeates every frame of Dead Water. Explosive rage, unbridled joy, deep self-loathing, crippling fear; almost every type of human emotion …
By CHIN JIAN WEI Emotion permeates every frame of Dead Water. Explosive rage, unbridled joy, deep self-loathing, crippling fear; almost every type of human emotion …
By DANIAL FUAD These past two years seem like a blur to everyone as they passed by in the blink of an eye. Due to …
By NABILA AZLAN Magnetised by Kahlil Gibran’s timeless catalogue of reminders in The Prophet upon first read, I was excited to watch how this would …
By WAI LU YIN A dystopia is an imagined society in which there is great suffering caused by current trends, societal norms and the implementation …
By NATASHA P. Daring enough to exit the confines of propriety, artist Dhani Illiani Yusof, in her Jakarta art show Arus Binti: Kobis Merah takes …
By FARAH DIANPUTRI There’s something inherently rebellious about woodblock prints. It’s meeting the resistance of carving out an image into existence from unrelenting material. Scratching …
By ELLEN LEE In Gentle Reminders, Izat Arif appropriates the style of typical road signs to present pithy advice for younger artists of the obstructions …
KLSP is on the right track in creating innovative approaches to telling Malaysian folktales beyond the stage. No matter what platforms they use, KLSP is doing wonders in preserving these stories and reaching out to a wider audience. It is a great initiative in building future generations of Malaysian storytellers.
By NATASHA P. Artist Lith Ng Yee Leng encapsulates the gritty, ‘dirty’ aspects of owning a vagina – the bleeding, the pain, the excretion of …
Hummingbirds, rusty saws, bottlecaps, floating chess boards, and the beauty in reclaimed things at the Zhongshan Building.