By WAI LU YIN A dystopia is an imagined society in which there is great suffering caused by current trends, societal norms and the implementation …

By NATASHA P. Daring enough to exit the confines of propriety, artist Dhani Illiani Yusof, in her Jakarta art show Arus Binti: Kobis Merah takes …

By LIM JACK KIN Recently, I had the chance to talk to a few of the creators behind Soliloquy: A Dance Film, a short but …

By HAMIDAH ABD RAHMAN Malaysia’s Conditional Movement Control Order (CMCO) has impacted the arts sector, with many facing losses. People all over the country are …

By FARAH DIANPUTRI There’s something inherently rebellious about woodblock prints. It’s meeting the resistance of carving out an image into existence from unrelenting material. Scratching …

By ELLEN LEE In Gentle Reminders, Izat Arif appropriates the style of typical road signs to present pithy advice for younger artists of the obstructions …

“A reflection upon the virtual is what guides our understanding of the real (or actual), while also retroactively affecting – and hence illuminating – the antecedents and the necessary preconditions of that reality” (Lefebvre 1991, p219)

KLSP is on the right track in creating innovative approaches to telling Malaysian folktales beyond the stage. No matter what platforms they use, KLSP is doing wonders in preserving these stories and reaching out to a wider audience. It is a great initiative in building future generations of Malaysian storytellers.

By NATASHA P. Artist Lith Ng Yee Leng encapsulates the gritty, ‘dirty’ aspects of owning a vagina – the bleeding, the pain, the excretion of …

Hummingbirds, rusty saws, bottlecaps, floating chess boards, and the beauty in reclaimed things at the Zhongshan Building.